Grants are another way for artists to bring in financial resources. Unlike crowdfunding, grants are sums of money given by foundations, nonprofits, or other institutions to applicants or specifically-selected individuals or groups. Whereas crowdfunding depends on smaller donations from individuals in your own social network, grants are larger sums of money from institutions.
To receive grant funding, you need to apply and then be selected by the judging committee.
Grants can be for small amounts of money or large sums. They can be for specific projects or for general operations. Grants might be for set amounts of money and for a set number of applicants, or they could be portions of a larger overall grant budget, awarded as the committee overseeing applications sees fit.
There are even matching grants which are designed as incentives to help you raise even more money. For example, a funder could offer to donate up to $25,000 if you hit $5,000 in donations from first-time donors or they could match up to $10,000 in donations.
Some grants will require very detailed reporting back to the funding institution to show how you’ve spent money, others will give more of a carte blanche. All of this will depend on the institution or organization that is offering the grant.
Some grants are only available to artists or creative projects that have particular tax statuses, like 501(c)(3) status or partnership with a fiscal sponsor.
Different kinds of institutions offer grants to artists and arts organizations.
Government: Government bodies are granting institutions. Governmental granting bodies can represent the national government, state government, city government, or as targeted as neighborhood grants. For example, New York City funds projects and organizations working on health and human services, arts and education, and more.
Nonprofits: Many nonprofits are also granting institutions. Nonprofits distribute grants as a way of furthering their own missions. If, for example, a nonprofit’s mission is about increasing arts education in a particular city, they might give a grant to an arts organization that partners with schools to host workshops, classes, and performances. Artadia seeks to elevate the careers of artists and to do that they offer unrestricted grant funding to artists.
Foundations: Foundations, ranging from large foundations like the Ford Foundation or smaller family foundations offer grants. Foundations often have several different categories or issues that they give funding or grants to. For example, a family foundation might have funding priorities in line with the founder of the grant to keep that person’s legacy alive. The Doris Duke Charitable Fund funds projects and organizations whose work is related to the arts, medical research, child-wellbeing, and more.
Corporations: For-profit companies and corporations sometimes have associated nonprofits or philanthropic arms. This can be for a lot of reasons. Some corporations want to give back to their communities or support issues that are important to them. Some just want good publicity. For example, Walmart has a foundation that funds projects related to environmental sustainability, community, and racial justice.
Knowing that there are grants out there, the next question is… how do you find them? Grant research is an important part of fundraising for artists. Here’s how to get started:
When you think about applying for funding, think about every angle that might link you up with a funding institution. Create “buckets” to streamline your search.
Some of these buckets will be identity-based. Consider factors like gender, sexuality, nationality, age, disability, veteran status, or immigration status. Another funding bucket will be your location. Grants can be location-specific. That might mean your region (Pacific Northwest, Midwest, Southwest), your county, city, or even neighborhood. An obvious bucket is your creative medium. There are grants available for film, sculpture, textiles, ceramics, jewelry, and more. You should also consider your mission, or overall goal, as a potential bucket for grants. Your overarching mission might align with the mission statement of a nonprofit, museum, or other funding institution.
Then, once you have several category buckets, start Googling! You’ll want to search for funding opportunities related to each of those buckets individually, but also in combination with one another.
For example, say you are a Brooklyn-based woman looking to fund a feature-length movie about a medieval Christian mystic. You will want to look for grants for women, for Brooklyn and New York City artists, for filmmakers, and for art about religious figures, for starters. You can then combine these buckets to look for grants for women filmmakers, for New York City women, for filmmakers making work about religious figures.
Combining buckets lets you turn up more grant opportunities and will result in better grant prospects for you. The more points of connection you have with a grant, the stronger your case will be as an applicant.
Once you’ve amassed a list of grant opportunities based on the bucket and bucket combination strategy, you can dig a little bit to see who those institutions have previously funded.
The first step is to see which grants are a good fit for who you are and the kind of work you make. The next step is to see which of those possible grants have actually funded artists like you and projects like yours.
Nonprofits make information about who they fund publicly available through a 990 form. You can find 990 forms for many nonprofits on Candid to see how they allocated their grants. You can also check the nonprofits’ websites to see if they list previously funded projects.
Additionally, you do this in the reverse and see which institutions have funded artists like you.
Make a list of artists or arts organizations that are similar to you – peers, colleagues, people whose work you admire. Then, search their websites to see if they mention support from funding institutions. They might mention receiving grants in their CVs, or in a thank-you note for a particular program or piece that they completed.
Searching in reverse can help you find opportunities that might not show up otherwise.
When you look for comparable artists, make sure that they really are comparable. If you’re looking for a grant to help you produce a play at your local theater, a very famous playwright like Jeremy O. Harris won’t be a fruitful comparison at this moment in your career.
Once you have a list of grants that are a potential fit for you, organize them into a calendar so you know how to prioritize your time and energy.
The work of securing funding for your art is ongoing, long work. It’s not just about finding the right grant to apply to in a given week or month. Presumably, you’ll want to seek funding at future points in your career. You can make it easier for your future self by keeping track of the most relevant grants for your work regardless of deadline. That way, whenever you decide to apply for grants in the future, you’ll already have a good amount of legwork out of the way.
This can be part of your year-round fundraising strategy.
In order to successfully receive grant funding, you have to be able to talk about your art in a clear and compelling way.
Avoid overly academic or flowery language in your grant applications. Academic or abstract phrasing might be true ways of describing your work, and how you relate to it. But that doesn’t necessarily mean it’s the best way to describe your work to potential funders. When you think about describing your art in a grant application, you have to think about your audience and your goal.
It’s easy to think that in order to make your art seem serious and therefore appealing to funders, you have to make it seem complicated or heavily intellectual but funders are actually looking for more concrete descriptions of your work.
Start with the simplest description possible, for example, “an evening-length dance performance”, “a large-scale multimedia installation”, or “a theatrical production.” Then lead the reader to the more conceptual portions of the work. This allows people to better understand your work and connect to the higher concepts.
When you are applying for a grant, a funder needs to know the very basics of your work. In a grant application, make sure you are answering the “who, what, when, where, why, and how” questions about your work. Funders need specific, concrete information about the projects and the artists they are potentially funding because they are beholden to others. Funders need to demonstrate to their board of directors, their communities, their constituencies that the money they are granting out is going to support their overarching mission.
We recommend that you explain your project out loud before you start writing so that you’ll have a more natural, conversational flow before you start typing. You might even want to record yourself speaking or practice in front of a friend who isn’t as embedded in the art world as you are.
Once you have a strong draft of your application, read it out loud or share it with a non-artist friend. Does it make sense to them?
And, above all, as you draft a grant application, write it for a reader who likes art, who is curious and smart, but perhaps not an expert in the field (let alone your particular medium).
Every grant will have slightly different requirements and different questions that they ask. But some questions will crop up again and again on grant applications. Thinking through them ahead of time will help you answer more confidently as you apply for grant funding.
Grant applications can be challenging and frustrating. And, in a lot of ways, they are challenging for the same reasons that job applications are challenging.
There’s no magic bullet to help you get every grant you apply for, but there are some general do’s and don’ts we can share.
For a more successful grant application:
Just like there are grant best practices, there are also some common grant application mistakes we’ve seen artists and arts organizations make.